Life and Works of Christopher Isherwod - Presents his English Ancestry in Great Britain from John Bradshaw. Attended Corpus Christi College and failed with a degree. Explains the Literary connection of A.S.T. Fisher, W. H. Auden, and Stephen Spender. Lists early poems in People Oen Ought to Know and the first novel All the Conspirators, published in 1928. In 1928-1929 Isherwood studied Medicine at King's College. In 1931 he met Jean Ross, and Gerald Hamilton. In September 1931, William Plomer introduced him to E.M. Forster. Isherwood's second novel, the Memorial (1932) was based on his own family history. While in London, he worked with Berthold Viertel on the film Little Frident; the experience became the basis for Prater Violet (1945). He was a tutor in Berlin while writing the novel Mr. Norris Changes Trains (1935) and Goodbye to Berlin (1939), often called Berlin Stories. These works inspired the play I am a Camera (1951), the film (1955), Yes/Buggles' song "Into the Lens/I am a Camera" (1980), and the film musical and film Cabaret (1966 & 1972). In 1932 fell in love with Heinz Neddermeyer. Collaborated with Auden on three plays: The Dog Beneath the Skin (1935), The Ascent of F6 (1936), and On the Frontier (1939). Isherwood wrote Lions and Shadows (1938) a fictional autobiography on his childhood. In 1938 Auden and Isherwood went to China to gather material on the Sino-Japanese War. In 1939 they returned to the United States. On Feb. 14, 1953, he meets Don Bachardy in Santa Monica, his on-again-off-again partner. Isherwood finished the novel the World in the Evening (1954). He taught at CSU LA during the 1950s and 1960s. Isherwood and Bachardy became an established couple in Southern Californian society. Down There on a Visit (1962) comprised material overlap with Berlin. His finest achievement was a Single Man (1964). (15;56 min.)
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To many readers Christopher Isherwood means Berlin. The author of Goodbye to Berlin (1939), the British Isherwood found fame through the adaptation of that work into the stage play and film I Am a Camera and then into the stage musical and film Cabaret. Throughout his career he was a keen observer, always seemingly in the right place at the right time. Whether in Berlin in the 1930s or in Los Angeles in the 1960s and 1970s, Isherwood (1904--86) reflected on his life and his world and wrote perceptive commentary on contemporary European and American history and culture. His ties to California made him more American than British. ""I have spent half my life in the United States,"" he said. ""Los Angeles is a great place for feeling at home because everybody's from someplace else."" Isherwood can be credited for helping make L.A. an acceptable setting for serious fiction, paving the way for John Rechy, Joan Didion, Paul Monette, and Bernard Cooper, among others. The interviews in this volume--two of which have never before been published--stretch over a period of forty years. They address a wide range of topics, including the importance of diary-keeping to his life and work; the interplay between fiction and autobiography; his turning from Christianity to Hinduism; his circle of friends, including W. H. Auden, Aldous Huxley, and E. M. Forster; several important places in his life--Berlin, England, and California; and his homosexual identity. These interviews are substantive, smart, and insightful, allowing the author to discuss his approach to writing of both fiction and nonfiction. ""More and more,"" he explains, ""writing is appearing to me as a kind of self-analysis, a finding-out of something about myself and about the past and about what life is like, as far as I'm concerned: who I am, who these people are, what it's all about."" This emphasis on self-discovery comes as no surprise from a writer who mined his own diaries and experiences for inspiration. As an interviewee, Isherwood is introspective, thoughtful, and humorous. James J. Berg is the program director for the Center for Teaching and Learning, Minnesota State Colleges and Universities. Chris Freeman is an assistant professor of English at St. John's University. Berg and Freeman are editors of The Isherwood Century: Essays on the Life and Work of Christopher Isherwood, which was a finalist for the 2001 Lambda Literary Award for Gay Studies.
